As they announce here Niantic are developing MARVEL World of Heroes.
Niantic are the creators of Pokemon Go and the idea of WOH is a similar AR mobile game that brings the iconic Marvel Universe into the real world and is scheduled to launch globally in 2023.
NME reports that players will be able to create a unique Marvel super hero and utilize Niantic’s real-world gaming capabilities to patrol neighbourhoods in search of crimes to prevent as well as completing super hero missions.
The game will also enable leveling up in order to unlock equipment and abilities as well as teaming up with other Marvel super heroes such as Wolverine, Captain America, Spider-Man and more to battle the series’ most iconic villains.
Gaming in the Real World Metaverse
As described in a previous blog Niantic CEO John Hanke has a vision for building the ‘Real World Metaverse’, and John’s mission now is to enable developers to build their own Pokemon Go type games and experiences.
As TechCrunch reports they launched ‘Lightship‘, an AR Developer Kit (ARDK) that will make building augmented reality experiences more accessible. This free, openly available technology will help Niantic lay the foundation for its vision of the Real World Metaverse.
Industry experts provide other helpful insights, such as How To Build a Pokemon Go Type App and How to Build an AR GPS App, and examples of similar games such as The Witcher, and a list of 8 top games in 2020.
Ingress – Developing ‘Live Fiction’ gaming
Pokemon Go was preceded by Ingress (Wikipedia), which while not as well known achieved a similar scale of engagement and offers a slightly more nuanced case study to explore the potential for location-centric AR gaming.
At this DICE talk John Hanke explores the core concept, what he describes as ‘Live Fiction’ gaming. As the term suggests this refers to game play that is intertwined with and defined by a compelling story, in this case the battle between ‘The Enlightened’ and ‘The Resistance’ for control of Earth.
It’s not just a backdrop to set the scene but rather an integrated format, where ongoing developments in the storyline affect what happens in the game play and also vice versa, outcomes of gaming affect how that storyline evolves.
What is particularly interesting is how that story is communicated to players, ranging from books and comics that provide snapshots of progress and also explainer on-ramps for new members, through to filmed scenes and cryptic social media messages. These messages contain clues that ‘hackers’ within the game crack and then share with other players.
This highlights how the mobile app is only the base building block for the game experience, which is formed in totality as an overall universe of multiple mediums and content, enabling a very deep immersion both in terms of gaming but also critically storytelling narrative.